You are currently browsing the TsundereStorm archives for the comparison tag.

Yui = Tsugumi Auba (True Tears) + Haruhi’s headband; Mio = Zange (Kannagi); Ritsu = Aiko (True Tears); Tsumugi = Yukine (Clannad) + Miyuki (Lucky Star)

We seem to have some character design recycling going on here in K-ON!. Strangely, it doesn’t bother me as much as I think it should, probably because their personalities are likeable and not identical copies of other characters, and the episode is presented well. Is anyone else in love with the ending theme? It’s been stuck in my head since I heard the first 5 seconds. The only thing that worries me is the guitarist in the ending theme – I hear chord changes, but I don’t see hands moving… Hopefully it’s not like this in the episode body, especially concert scenes. With the mention of NEETs, it’s probably directed toward the otaku crowd, but if you like bands and light comedic drama then this might be a show for you. I’m definitely going to be picking this series up; I probably won’t be blogging about every episode though.


between a life-drama and a slice-of-life
Posted by tai on Sep 23, 2008 under Discourse

I started watching Nana under the impression that it was going to be a series that was quaint, relatable, insightful, and full of music goodies. I was expecting a slice-of-life type of show. It was. The first dozen of episodes were nice, homely, describing the woes and wonders of two teenage girls stepping out of their adolescence and into their adulthood. Their quirks and personalities were exposed to us as we watched them struggle to obtain the necessities of life and gain a foothold on the adult world. It was, but it was and not is. As I proceeded through the second dozen of episodes, the story started getting confusing: new characters flying in left and out right, old characters being irrelevant to the plot, and occasionally I had to pause and rethink what happened the previous episode to understand the basis of some actions and statements. It seemed like the show had left the slice-of-life genre and jumped onto the stage of drama. As I pass the half-way checkpoint I no longer feel motivated to continue with the show: there is too much focus on plot progression, and not enough time spent on the more micro, slice-of-life elements of a story. Looking at other blogs and review sites, Nana is described as both a drama and slice-of-life. But, looking at a show as an entirety, a show can only be one of drama or slice-of-life, never both. A slice-of-life that changes is drama, since a constantly progressing story defeats the purpose of slice-of-life.
Read the rest of this entry »